Comparing Gilliams Brazil and Radfords Adaptation of 1984 :: comparison compare contrast essays

Comparing Gilliams Brazil and. Radfords Adaptation of 1984 While researching for a book on the making of and feud everyplace the American sacque of Terry Gilliams Brazil, author Jack Mathews read virtu on the wholey every go arrive at of the film printed in the United States and found that very few failed to note to the film as futuristic or Orwellian. The comparisons are understandable, if inaccurate, says Mathews, There isnt a futuristic element in Brazil. The story is Orwellian, in the sense that it is stack in a totalitarian state where individuality is smothered by enforced conformity. But where George Orwell...was envisioning a future ruled by fascism and technology, Gilliam was satirizing the bureaucratic, largely dysfunctional industrial world that had been driving him crazy all his life(Mathews). Terry Gilliams Brazil, made in 1985, at first glance, waits more than like Michael Radfords film version of George Orwells 1984, made in 1984, in its scene and story. How ever, upon further examination of the two films, there are differences in mode and tone that distance them from each other. 1984 is dark and gloomy from beginning to culmination while Brazil, though still dark, has a much lighter atmosphere. The screw stories presented in both films are unmistakably similar and make the plots seem closer to each other, but this is the only strong link they share, for differences in tone distance the films from each other. Because of its dark humor, Brazil is a jeering of the very society in which the story takes place, while 1984, though overly a satire, lacks any humor whatsoever and is more of a revulsion story of a society that might await mankind. In the fount scene, Terry Gilliams Brazil seems to be quite jovial. A shot in which the camera hovers through the sky, passing in and out of clouds, starts the film off while the song Brazil, after which the movie was named, fills the soundtrack. Titles begin to appear over the soaring shot. Th e titles read, Somewhere in the 20th Century, informing the audience of the sequence period, but confusing them as well. The world in which the movies main pillowcase dwells is a dreary, dystopian, retro-futuristic metropolis, a far cry from anything that has been seen this century. In this world, nobody is saved from the government individuals are executed as a result of administrative errors. The compensation for these wrongful deaths is a simple refund check.